X

Sort by

Quote length

Sentiment

Change font

Change background

Tag Name "Noll" (7)

Page 1 of 1
Filter & Style
Image
This neglect of a very important Brazilian writer is, in my view, the result of Brazil's relative isolation from what metropolitan tastemakers. If João Gilberto Noll were writing in French or German or even Russian, it's likely he'd be more broadly translated.
Adam Morris
Image
Dreamlike sequencing is perhaps one of João Gilberto Noll's most remarkable triumphs in Quiet Creature on the Corner. I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
Adam Morris
Image
Unless you count the political backdrop, which in any case is a familiar one to many international readers, I don't think there's anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
Adam Morris
Image
Chuck Noll is building one hell of a football team up in Pittsburgh.
Vince Lombardi
Image
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one. The transcendent aspect of the psychedelic experience is totally absent.
Adam Morris
Image
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it's never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
Adam Morris
Image
Chuck Noll knew how he could help people. He was a teacher. He was a guy that was very good at selecting people, getting them to fit in. He wasn't the guy that was going to sit there and motivate you, intrinsically. That wasn't what he was best at. So he hired people that were good at that.
Tony Dungy