X

Sort by

Quote length

Sentiment

Change font

Change background

Tag Name "Bardo" (16)

Page 1 of 1
Filter & Style
Image
It is possible to move to an enlightened state of mind from a lower bardo or level of awareness. It can happen, but it is extremely unlikely.
Frederick Lenz
Image
[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.
George Saunders
Image
From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
George Saunders
Image
I knew if I evoked that stuff too easily or gratuitously, as a way of assuaging my fears of not being edgy or whatever, the writing would fall apart. This book [Lincoln in the Bardo] was going to have to have some earnestness in it.
George Saunders
Image
One of the revelations in that book [Lincoln in the Bardo] for me was this idea about citizenship. Even that word - citizenship - for someone my age, it makes me cringe. But, to me, the political space we're in now argues for a reboot of fairly simple ideas and the examination of the way that Americans have not been living into them.
George Saunders
Image
The Mother Tantra says that if one is not aware in vision, it is unlikely that one will be aware in behavior. If one is not aware in behavior, one is unlikely to be aware in dream. And if one is not aware in dream, then one is unlikely to be aware in the bardo after death.
Tenzin Wangyal Rinpoche
Image
What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
Zadie Smith
Image
Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
Zadie Smith
Image
Whole swaths of the book [Lincoln in the Bardo] are made up of verbatim quotes from various historical sources, which I cut up and rearranged to form part of the narrative.
George Saunders
Image
The beginning [of Lincoln in the Bardo] is strange, and I did a lot of work calibrating that so that a reader with a certain level of patience would get through it and in the nick of time start to figure out what was going on. In a short book, you can do that.
George Saunders
Image
The book says [Lincoln in the Bardo],I really need this sci-fi device of a ghost inhabiting another person. You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
George Saunders
Image
I would say one thing writing this book [Lincoln in the Bardo] did for me was underscore the fact that this issue [all men are created equal] has never been properly addressed and it hasn't gone away.
George Saunders
Image
I prefer working out of strict continuity, because no normal human being can have a firm grip on the constantly shifting bardo-like territory of a comics universe, where entire histories can be erased by a strong enough super-sneeze.
Grant Morrison
Image
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
Zadie Smith
Image
For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
Zadie Smith
Image
For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
Zadie Smith