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Performance Artist Inspirational Quotes (1167)

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This is New York. You gotta work from upstairs to downstairs! You gotta work both ends of the street to have a career. Because it's not just fabricating an artwork. Your works have to go out into the world they have to go to market. This art on the hoof has to be moved it's got to go to the slaughterhouse at some point. Keep those dogies rollin'!
Keith Sonnier
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My performances may have elements that some may find entertaining, but that's not my main purpose.
Vaginal Davis
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The best performance advice I have ever been given was to Know where your light is, onstage.
Vaginal Davis
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I have never lived in New York City, but a lot of people think that I am a New Yorker, because I was embraced by the Downtown scene since the 1980s. For the record I was born and raised in Los Angeles, California.
Vaginal Davis
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A woman could be having fun A woman could be like a nun In order to survive We cannot be kind Until we are hurt
Ayumi Hamasaki
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What if everyone goes on the endless road Sooner or later Over the clouds to the sky Be sure to wait for me. And then, we will talk away About our countless memories.
Ayumi Hamasaki
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In our family, there wasn't anything else besides art. Nothing else in the world existed. My father never spoke about going to a movie or listening to music, other than my mother's singing.
Kiki Smith
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Understanding is a form of blindness. Good art, I think, can never be understood.
Robert Rauschenberg
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It was easy to get a job at the Cedar Bar because people came and went, but I didn't like the atmosphere. Instead, I got a job at Cooper Union Library. I stayed at Cooper Union for seven years it was my salvation. While I worked there, I also read books of every kind.
Claes Oldenburg
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They're very, uh, you know, I don't come from the suburbs and a jolly, Disney type of lifestyle. I come from something totally different. And they're cool and bare minimum so it's not always a money issue for me.
Shia LaBeouf
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I'm using my own person in pieces, but I'm trying to turn my person into a nonperson in the sense of a person without will, without volition. I'm subjecting myself to a scheme.
Vito Acconci
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You could walk around behind the typist and read the text, which was about hearing, and what you heard was the sound of the typewriter. Of course, this was a pre-electric typewriter, a typewriter that made noise.
Vito Acconci
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Maybe I had to stop photographing so that I could learn to touch.
Vito Acconci
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[Photography was necessary to] make my place in the art-world: in order to do this, I had to make a picture, since a picture was what a gallery or museum was meant to hold (all the while, of course, I was claiming that I was denying the standard, rejecting it...)
Vito Acconci
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It's language as a kind of structural system. A diagram of a sentence, now that seems like a kind of architectural model. I don't know how to explain it, but it would be nice to try. Why, why this fascination?
Vito Acconci
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Sometimes when you come from outside a discipline you pay attention to things that insiders take for granted. I admit that sometimes I feel hesitant in the midst of other architects. I can't help thinking that they know more than I do, but I also feel that maybe I can go in directions they learned you're not supposed to go in.
Vito Acconci
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Sustainability has become a religion in architecture - not that there's anything wrong with it - but I think it has to work both ways. Everyone thinks architecture has to be subservient to sustainability, but what if we thought in the other direction, like, what can sustainability do to make architecture more exciting?
Vito Acconci
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Architecture is inherently a totalitarian activity. One thing we hate about it is that when you design a space, you're probably designing people's behavior in that space. I don't know if we know how to change that, but our goal is to make spaces for people rather than people being subservient to spaces.
Vito Acconci
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I was always fascinated by diagramming a sentence. Because that is going into a space, going into a world of language.
Vito Acconci
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Public space can be a lot better with some private space to contradict it and vice versa. It keeps the system alive. If the system is just one thing, then it's closed and it eventually dies.
Vito Acconci
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If something's public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there's grammar, then there's rhetoric, and rhetoric's usually seen as a kind of degraded method, because you're trying to persuade.
Vito Acconci
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Writing was always a laborious thing for me. I never wrote fluently, I never wrote fluidly, there was something very awkward in my writing. But it seemed to me purposely awkward. It's almost as if I made the labor part of writing.
Vito Acconci
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As a kid I learned notions of art and notions of not having any money.
Vito Acconci
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I always thought of writing as public, I never thought of writing a diary. I had been struck by, jolted by things I had read, and I wanted to do the same to others. I don't think it ever was the notion of an autobiography I skipped that phase totally, I think.
Vito Acconci
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