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Graphic Designer Inspirational Quotes (1750)
Page 5 of 73
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We're animals. We're violent. We're criminal. We're not so far away from the gorillas and the apes, those beautiful creatures.
Maurice Sendak
For me, typography is a triangular relationship between design idea, typographic elements, and printing technique.
Wolfgang Weingart
Anyone who uses Helvetica knows nothing about typefaces.
Wolfgang Weingart
You know who my gods are, who I believe in fervently? Herman Melville, Emily Dickinson - she's probably the top - Mozart, Shakespeare, Keats. These are wonderful gods who have gotten me through the narrow straits of life.
Maurice Sendak
You need to be able to ride past the technology by understanding what it can do, who you are, and where you want to take it. You don't want technology to lead you you want to lead it, but it's very hard to do that when you're in the middle of it.
Paula Scher
I had a lot of enthusiasms that were very contradictory, I was never very doctrinaire in the type of design I wanted to do.
Michael Bierut
I am certainly not an intellectual relativist, nor a moral relativist.
Edward Tufte
I don't know in advance what I am going to put on canvas any more than I decide beforehand what colours I am going to use.
Pablo Picasso
[I'm] looking for a good balance between digital and creative work.
Yugo Nakamura
Anyone who promises you something that you have not earned is seeking to enslave you.
James Wasserman
I'm always doing things I can't do. That's how I get to do them.
Pablo Picasso
The consuming desire of most human beings is deliberately to place their entire life in the hands of some other person. For this purpose they frequently choose someone who doesn't even want the beastly thing.
Quentin Crisp
Any excuse to get away from the computer screen is welcome.
Stefan Sagmeister
You've noticed that same joke told by two different people, once works, and the other time doesn't, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize - all of this matters.
Abbas Kiarostami
I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
Abbas Kiarostami
The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
Abbas Kiarostami
We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
Abbas Kiarostami
Directors don't always create, they can also destroy with too many demands.
Abbas Kiarostami
This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much.
Abbas Kiarostami
Therefore, when you see the end result, it's difficult to see who's the director, me or them. Ultimately, everything belongs to the actors - we just manage the situation.
Abbas Kiarostami
I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.
Abbas Kiarostami
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.
Abbas Kiarostami
I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
Abbas Kiarostami
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
Abbas Kiarostami
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