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Cinematographer Inspirational Quotes (3175)

Page 22 of 133
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The optimum human population of earth is zero.
David Foreman
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You don't actually have to understand the song to be emotionally moved and uplifted, whereas with language it becomes quirky and analytical.
Warwick Thornton
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I was always extremely curious about why people did the things they do.
George Lucas
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I had the good fortune early on to cast some really great people that were not just characters, they had character.
Don Coscarelli
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I'd love to sell out completely. It's just that nobody has been willing to buy.
John Waters
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You've noticed that same joke told by two different people, once works, and the other time doesn't, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize - all of this matters.
Abbas Kiarostami
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I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
Abbas Kiarostami
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The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
Abbas Kiarostami
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We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
Abbas Kiarostami
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Directors don't always create, they can also destroy with too many demands.
Abbas Kiarostami
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This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much.
Abbas Kiarostami
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Therefore, when you see the end result, it's difficult to see who's the director, me or them. Ultimately, everything belongs to the actors - we just manage the situation.
Abbas Kiarostami
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I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.
Abbas Kiarostami
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When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.
Abbas Kiarostami
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I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
Abbas Kiarostami
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My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
Abbas Kiarostami
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I never intended to write poems, nor to be a photographer, nor to be a film-maker. I just took many, many pictures and I would put them in an album, and then some years later I decided to show them and suddenly I was called a photographer. Same thing with my poetry. They're notes that I'd written in a book and it may be considered poetry.
Abbas Kiarostami
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It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.
Abbas Kiarostami
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Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
Abbas Kiarostami
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic so I have my doubts.
Abbas Kiarostami
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It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
Abbas Kiarostami
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I do believe in [Robert] Bresson's method of creation through omission, not through addition.
Abbas Kiarostami
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This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise.
Abbas Kiarostami
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I didn't just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
Abbas Kiarostami
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