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Zadie Smith Inspirational Quotes (205)

Page 4 of 9
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It's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.
Zadie Smith
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And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive.
Zadie Smith
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It made me feel that I had to work very hard, but I've always felt I had to work very hard to get my own approval.
Zadie Smith
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To me, these kind of everyday miseries act as a fatal disqualifier. My sunniest beliefs are basically contingent on the fact that my child is not dying of cancer right now.
Zadie Smith
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For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
Zadie Smith
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For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
Zadie Smith
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Those beliefs about the essential goodness or beauty of the world are fundamentally paper-thin bullshit. There's not an essential belief that isn't a contingent belief. It could all be destroyed in a second, at any second. And I have an issue with that.
Zadie Smith
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The young people have a phrase for this now, which is slay in your lane. That's a very important principle of writing. You have to work out what it is you can't do, obscure it, and focus on what works.
Zadie Smith
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I used to take that God's-eye view as a comfort when I was a child. I'd think, Well, we couldn't find the world meaningful at all if it weren't for death. Of course, that is the smuggest and most intolerable of all perspectives because I'm not suffering from the death or the pain.
Zadie Smith
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It seems to me now that the deep structures [in writing] are often subconscious and set in childhood.
Zadie Smith
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The novel leads you places that you never could have gotten to otherwise.
Zadie Smith
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I guess I've always written more from the opposite perspective, that kind of existentialist perspective which argues that existence precedes essence. And there really isn't anything essential in there - you're the product of your actions, which can always change. And they retrospectively make you one way or another.
Zadie Smith
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One thing you learn about the novel as a form is that it's always smarter than you are.
Zadie Smith
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A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.
Zadie Smith
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Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
Zadie Smith
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When I see my friends engaging in a Twitter war for an afternoon, I think that would destroy me for a month.
Zadie Smith
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He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
Zadie Smith
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English fiction was something I loved growing up, and it changed my life - it changed the trajectory of my life.
Zadie Smith
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But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.
Zadie Smith
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I lost many literary battles the day I read 'Their Eyes Were Watching God.' I had to concede that occasionally aphorisms have their power. I had to give up the idea that Keats had a monopoly on the lyrical.
Zadie Smith
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Don’t romanticise your ‘vocation’. You can either write good sentences or you can’t. There is no ‘writer’s lifestyle’. All that matters is what you leave on the page.
Zadie Smith
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English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Zadie Smith
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
Zadie Smith
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I recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
Zadie Smith
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