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I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Work
Characters
Like
Stage
Stuff
Olive
Film
Wider
Character
Closer
Play
Gotten
Feel
Range
Feels
Played

More quotes by Zoe Kazan

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Most adults get to a point in their careers where they feel secure, where they have a body of work behind them that will ensure longevity, and for actors, it's just not like that. You're basically always a temp, going from job to job.
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I think from my earliest childhood, I liked to tell stories, put on plays and write things. It's funny to think of it as an artistic bug because I didn't necessarily want to be an artist. It's just who I was and how I communicate.
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There aren't a lot of movies being made about women, period. Most of the time, the roles that are available are the sidekick, the friend, the girlfriend or the wife, and they just aren't that interesting.
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I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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I don't have a lot of patience for boring arthouse movies.
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I'm pretty sure I ate ants in Mexico.
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I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.
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And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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I'm klutzy, and I don't embarrass easily.
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There's part of me that's grateful for the delusion, because it takes a very hard shell to get started as an actor, and I don't have a very hard shell.
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It's a good thing I learned some humility and perspective as I got older.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
Zoe Kazan
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I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
Zoe Kazan
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Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
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I do not do my own taxes. It's too many forms. Here are my 70,000 forms. I have no idea.I would be in jail.
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And when I get bored, it's like the worst parts of me come out. I really veer to self-destructive tendencies quickly.
Zoe Kazan