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Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Like
Two
Leave
People
Littles
Feeling
Back
Waiting
Little
Hours
Intermission
Come
Hope
Chocolate
Something
Often
Theatre
Really
House
Spent
Good
Feelings
Wait

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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I'm always disappointed after an audition when I don't get a part and I hear, Oh, she was too X, or too Y, and it's too much of a quality.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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My hero is Michelle Williams, who I grew close to when we did 'Meek's Cutoff.' She's an extraordinary actor and mom.
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I never wanted to be a playwright.
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I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.
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I don't feel like I have a super straightforward relationship with the idea of fame. It makes me sort of level things out in my own brain almost immediately when I meet someone.
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I wouldn't wear makeup, and I didn't like to let boys open the door for me because I felt like it was sexist.
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I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.
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On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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What I did have was an incredible amount of belief in myself.
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I'm pretty sure I ate ants in Mexico.
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I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.
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I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
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I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
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When we do something we're not proud of, a lot of people don't want to look at that, people may say what people don't know won't hurt them.
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I think action should be revealed through character, so if you have a plot problem, it's probably a character problem.
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And I think the female creative urge is intrinsically biologically linked to our ability to give birth to a child, even if we've never... I've never given birth, but I feel like it's part of our psychology.
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I hate going to bed. I read scripts, clean, listen to the radio - I've fallen asleep to 'This American Life' more times than I can count!
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I've worked with a lot of really famous people. It stops being weird really quickly. For me, at least.
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