Quote

Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Like
Two
Leave
People
Littles
Feeling
Back
Waiting
Little
Hours
Intermission
Come
Hope
Chocolate
Something
Often
Theatre
Really
House
Spent
Good
Feelings
Wait

More quotes by Zoe Kazan

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I think even probably the people we look up to the most, and think are on the Mount Olympus of actors - they're still experiencing nervousness.
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I don't think a lot of people are like, I'm just quirky! Or if they are, it's a stage they're going through as they figure out who they are. I never felt like I was choosing roles that were quirky.
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On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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Most adults get to a point in their careers where they feel secure, where they have a body of work behind them that will ensure longevity, and for actors, it's just not like that. You're basically always a temp, going from job to job.
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I stopped Googling myself a long time ago. I'm sure there's plenty of misinformation out there, but I am blissfully unaware of it.
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I had a real feeling of being fated to be an actor and do my work, and I remember so much speaking up in a room full of people who authentically knew as much or more than me, and feeling like I was absolutely equal, and what I had to say was important.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I think action should be revealed through character, so if you have a plot problem, it's probably a character problem.
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Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
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I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
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I think most actors jump at the chance to do something where the camera's on them all the time.
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If I ever feel that acting is just soul-sucking and I don't want to do it anymore, I could stop.
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We all have our essential nature. If you're good with numbers, you don't even know you're good with numbers because that's how your mind works.
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I really love people. I love to meet people. I'm curious about people.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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I quite enjoy a high-waisted cotton panty.
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I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.
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There are a lot of words that I knew first as a reader, and I never put the pieces together in my brain. The word segue I thought was pronounced seeg, I think until I went to college, which is horribly embarrassing.
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I'm always disappointed after an audition when I don't get a part and I hear, Oh, she was too X, or too Y, and it's too much of a quality.
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I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
Zoe Kazan