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So often you're asked to play impossibly perfect version of yourself on screen that it's nice to get to bring in those parts that you think aren't as worth looking at.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Often
Parts
Play
Aren
Think
Asked
Thinking
Worth
Impossibly
Bring
Version
Nice
Screen
Looking
Versions
Perfect
Screens

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I have mad luck. I'm super-good at games like backgammon or anything that requires rolling dice.
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I have a sister that I'm very close with, and that relationship is probably the most intense relationship of my life to date, probably of my life, period. I think that when you're close with a sibling, especially a sister, it's a relationship unlike any other.
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I think, a lot of times, directors assume that whatever they get from you the first time, whether it be at an audition or on set, is all that you can bring.
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There are a lot of words that I knew first as a reader, and I never put the pieces together in my brain. The word segue I thought was pronounced seeg, I think until I went to college, which is horribly embarrassing.
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It's a good thing I learned some humility and perspective as I got older.
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When we do something we're not proud of, a lot of people don't want to look at that, people may say what people don't know won't hurt them.
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And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
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I hate going to bed. I read scripts, clean, listen to the radio - I've fallen asleep to 'This American Life' more times than I can count!
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On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.
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When my sister decided that she wanted to act, I was so nervous for her. She's doing great, but I have a lot of friends at every level of success as an actor, and we all go through periods of time where they feel like their worth isn't within their own control. That's a horrible feeling for an adult to have.
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I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.
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I'm klutzy, and I don't embarrass easily.
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What I did have was an incredible amount of belief in myself.
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If I was born into a household with anxiety about money, I wouldn't have had as much freedom to be in my own world. So it's impossible for me to divorce the privilege of my childhood from the other things.
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I think most actors jump at the chance to do something where the camera's on them all the time.
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I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
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I'm always disappointed after an audition when I don't get a part and I hear, Oh, she was too X, or too Y, and it's too much of a quality.
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I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
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I feel lucky to receive such critical attention and praise when you're in a show that's going to last a month, it's just easier when audiences are more receptive. I've done two new shows this year, so I'm always excited to work on something a little older, traditional and structured.
Zoe Kazan