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I'm always disappointed after an audition when I don't get a part and I hear, Oh, she was too X, or too Y, and it's too much of a quality.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Part
Much
Always
Audition
Auditions
Disappointed
Hear
Quality

More quotes by Zoe Kazan

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What I did have was an incredible amount of belief in myself.
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Every piece of writing I've done has been something where I feel like I need to get this out of me, whether it's a seed of something personal or an anxiety that turns into a play or an image that's in my mind and haunts me that I'm trying to investigate.
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I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.
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We all have our essential nature. If you're good with numbers, you don't even know you're good with numbers because that's how your mind works.
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I have mad luck. I'm super-good at games like backgammon or anything that requires rolling dice.
Zoe Kazan
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Nothing's going to come to you by sitting around and waiting for it.
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Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
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There aren't a lot of movies being made about women, period. Most of the time, the roles that are available are the sidekick, the friend, the girlfriend or the wife, and they just aren't that interesting.
Zoe Kazan
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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
Zoe Kazan
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I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
Zoe Kazan
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I've definitely gotten to work with female directors, and I feel lucky because of that. I just feel like more voices should be represented.
Zoe Kazan
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I think, a lot of times, directors assume that whatever they get from you the first time, whether it be at an audition or on set, is all that you can bring.
Zoe Kazan
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I guess I always like being asked questions about influence or inspiration, like, What are you reading? Who are your heroes? Is there any one person you want to shout out to now? I really love paying it forward with love and attention, because that's what I like to read.
Zoe Kazan
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I do not do my own taxes. It's too many forms. Here are my 70,000 forms. I have no idea.I would be in jail.
Zoe Kazan
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I think for acting on stage and in film, one informs the other. Obviously, they require really different kinds of discipline and really different kinds of work. It's more along the same continuum, for me.
Zoe Kazan
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I find playwriting really painful. I love it, or I wouldn't do it, but I don't love the theater as much as I love movies.
Zoe Kazan
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And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
Zoe Kazan
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
Zoe Kazan