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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
Zoe Kazan
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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
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Director
Actors
Watching
Opportunity
Directors
Helping
Actor
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Unless
Playback
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Rewrite
Work
Writer
Editing
Really
Rooms
Rely
More quotes by Zoe Kazan
I'm always disappointed after an audition when I don't get a part and I hear, Oh, she was too X, or too Y, and it's too much of a quality.
Zoe Kazan
What I did have was an incredible amount of belief in myself.
Zoe Kazan
When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
Zoe Kazan
I had a real feeling of being fated to be an actor and do my work, and I remember so much speaking up in a room full of people who authentically knew as much or more than me, and feeling like I was absolutely equal, and what I had to say was important.
Zoe Kazan
We all have our essential nature. If you're good with numbers, you don't even know you're good with numbers because that's how your mind works.
Zoe Kazan
I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
Zoe Kazan
I think the written word is my first love. I was just a very imagination - centered child and a big part of that imaginary life came from reading.
Zoe Kazan
I hate going to bed. I read scripts, clean, listen to the radio - I've fallen asleep to 'This American Life' more times than I can count!
Zoe Kazan
I've worked with a lot of really famous people. It stops being weird really quickly. For me, at least.
Zoe Kazan
I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
Zoe Kazan
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
Zoe Kazan
I'm klutzy, and I don't embarrass easily.
Zoe Kazan
I feel lucky to receive such critical attention and praise when you're in a show that's going to last a month, it's just easier when audiences are more receptive. I've done two new shows this year, so I'm always excited to work on something a little older, traditional and structured.
Zoe Kazan
You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
Zoe Kazan
I stopped Googling myself a long time ago. I'm sure there's plenty of misinformation out there, but I am blissfully unaware of it.
Zoe Kazan
I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
Zoe Kazan
I always wrote. My parents are writers. It just seemed like something people did.
Zoe Kazan
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
Zoe Kazan
It's a good thing I learned some humility and perspective as I got older.
Zoe Kazan
I've definitely gotten to work with female directors, and I feel lucky because of that. I just feel like more voices should be represented.
Zoe Kazan