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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
Zoe Kazan
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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
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Director
Actors
Watching
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Directors
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Unless
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Editing
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More quotes by Zoe Kazan
There's part of me that's grateful for the delusion, because it takes a very hard shell to get started as an actor, and I don't have a very hard shell.
Zoe Kazan
I just went through my childhood attic with my sister. I'm not an expert, and I don't mean to put myself in that category, but thinking about Malcolm Gladwell and the 10,000 hours, I was like, Here are my 10,000 hours!
Zoe Kazan
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
Zoe Kazan
I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
Zoe Kazan
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
Zoe Kazan
I feel lucky to receive such critical attention and praise when you're in a show that's going to last a month, it's just easier when audiences are more receptive. I've done two new shows this year, so I'm always excited to work on something a little older, traditional and structured.
Zoe Kazan
I stopped Googling myself a long time ago. I'm sure there's plenty of misinformation out there, but I am blissfully unaware of it.
Zoe Kazan
Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
Zoe Kazan
I think even probably the people we look up to the most, and think are on the Mount Olympus of actors - they're still experiencing nervousness.
Zoe Kazan
I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
Zoe Kazan
I'm always disappointed after an audition when I don't get a part and I hear, Oh, she was too X, or too Y, and it's too much of a quality.
Zoe Kazan
I had a real feeling of being fated to be an actor and do my work, and I remember so much speaking up in a room full of people who authentically knew as much or more than me, and feeling like I was absolutely equal, and what I had to say was important.
Zoe Kazan
I think from my earliest childhood, I liked to tell stories, put on plays and write things. It's funny to think of it as an artistic bug because I didn't necessarily want to be an artist. It's just who I was and how I communicate.
Zoe Kazan
I was really surprised when I started working and realized that you're actually on your own, a lot of the time. It makes you really responsible, as an actor.
Zoe Kazan
If I ever feel that acting is just soul-sucking and I don't want to do it anymore, I could stop.
Zoe Kazan
I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
Zoe Kazan
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
Zoe Kazan
Sometimes I feel that the people I'm writing are more real to me than the people around me. When you take that imaginative leap, you're living so much in that world.
Zoe Kazan
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
Zoe Kazan
I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.
Zoe Kazan