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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Opportunity
Directors
Helping
Actor
Look
Unless
Playback
Looks
Room
Rewrite
Work
Writer
Editing
Really
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Rely
Help
Director
Actors
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It's fun for me to be with someone who loves reading as much as I do, because he'll give me things to read that I wouldn't normally seek out, and I think vice versa.
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I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
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If I was born into a household with anxiety about money, I wouldn't have had as much freedom to be in my own world. So it's impossible for me to divorce the privilege of my childhood from the other things.
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I really love people. I love to meet people. I'm curious about people.
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I would not wear any clothes that had a brand name on them, and I only read books that were canonical.
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And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
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I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
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I love bad movies, whereas going to the theater for me is a painful experience. I think it's really hard to sit and watch actors do something live and have it not go well.
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Sometimes I feel that the people I'm writing are more real to me than the people around me. When you take that imaginative leap, you're living so much in that world.
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I'm klutzy, and I don't embarrass easily.
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I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.
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On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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I think even probably the people we look up to the most, and think are on the Mount Olympus of actors - they're still experiencing nervousness.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I think, a lot of times, directors assume that whatever they get from you the first time, whether it be at an audition or on set, is all that you can bring.
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My hero is Michelle Williams, who I grew close to when we did 'Meek's Cutoff.' She's an extraordinary actor and mom.
Zoe Kazan
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I don't have a lot of patience for boring arthouse movies.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
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I guess I always like being asked questions about influence or inspiration, like, What are you reading? Who are your heroes? Is there any one person you want to shout out to now? I really love paying it forward with love and attention, because that's what I like to read.
Zoe Kazan