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I think, a lot of times, directors assume that whatever they get from you the first time, whether it be at an audition or on set, is all that you can bring.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Time
Assuming
Think
Directors
Thinking
Bring
Whatever
Whether
Times
Audition
Firsts
Auditions
First
Assume

More quotes by Zoe Kazan

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Nothing's going to come to you by sitting around and waiting for it.
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I always wrote. My parents are writers. It just seemed like something people did.
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I really love people. I love to meet people. I'm curious about people.
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I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.
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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
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I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
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I love bad movies, whereas going to the theater for me is a painful experience. I think it's really hard to sit and watch actors do something live and have it not go well.
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I've gotten incredibly lucky with the people I've gotten to work with. It's made my mind better, and it's made me a better person.
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I have mad luck. I'm super-good at games like backgammon or anything that requires rolling dice.
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I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
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If I'm not working, I don't feel complete.
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Most adults get to a point in their careers where they feel secure, where they have a body of work behind them that will ensure longevity, and for actors, it's just not like that. You're basically always a temp, going from job to job.
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I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
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I'm not that interested in writing for myself. That's not where my impetus as a writer comes from.
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And I think the female creative urge is intrinsically biologically linked to our ability to give birth to a child, even if we've never... I've never given birth, but I feel like it's part of our psychology.
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I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.
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I think action should be revealed through character, so if you have a plot problem, it's probably a character problem.
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I never wanted to be a playwright.
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