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I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Thinking
Profound
Theater
Magic
Movies
Experience
Much
Subjectivity
Way
Thrust
Think
Magical

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It's a good thing I learned some humility and perspective as I got older.
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I'm klutzy, and I don't embarrass easily.
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I stopped Googling myself a long time ago. I'm sure there's plenty of misinformation out there, but I am blissfully unaware of it.
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I really love people. I love to meet people. I'm curious about people.
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If I ever feel that acting is just soul-sucking and I don't want to do it anymore, I could stop.
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And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
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Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
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I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.
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Part of the challenge of being a girl living in the 21st Century, looking back, the danger is to not judge your character by your own standards.
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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It's fun for me to be with someone who loves reading as much as I do, because he'll give me things to read that I wouldn't normally seek out, and I think vice versa.
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Sometimes I feel that the people I'm writing are more real to me than the people around me. When you take that imaginative leap, you're living so much in that world.
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
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I've definitely gotten to work with female directors, and I feel lucky because of that. I just feel like more voices should be represented.
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I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
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When we do something we're not proud of, a lot of people don't want to look at that, people may say what people don't know won't hurt them.
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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
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I don't feel like I have a super straightforward relationship with the idea of fame. It makes me sort of level things out in my own brain almost immediately when I meet someone.
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I would not wear any clothes that had a brand name on them, and I only read books that were canonical.
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I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
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