Quote

And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Really
Written
Hmm
Good
Half
Experiencing
Things
Else
Crying
Like
Ends
Page
Look
Awful
Everything
Throw
Looks
Cry
Thing
Pages

More quotes by Zoe Kazan

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When we do something we're not proud of, a lot of people don't want to look at that, people may say what people don't know won't hurt them.
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Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
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I think for acting on stage and in film, one informs the other. Obviously, they require really different kinds of discipline and really different kinds of work. It's more along the same continuum, for me.
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I've worked with a lot of really famous people. It stops being weird really quickly. For me, at least.
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I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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My hero is Michelle Williams, who I grew close to when we did 'Meek's Cutoff.' She's an extraordinary actor and mom.
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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
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I never wanted to be a playwright.
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I think even probably the people we look up to the most, and think are on the Mount Olympus of actors - they're still experiencing nervousness.
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I don't feel like I have a super straightforward relationship with the idea of fame. It makes me sort of level things out in my own brain almost immediately when I meet someone.
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There are a lot of words that I knew first as a reader, and I never put the pieces together in my brain. The word segue I thought was pronounced seeg, I think until I went to college, which is horribly embarrassing.
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So often you're asked to play impossibly perfect version of yourself on screen that it's nice to get to bring in those parts that you think aren't as worth looking at.
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We all have our essential nature. If you're good with numbers, you don't even know you're good with numbers because that's how your mind works.
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I don't like pretentious films or pretentious people.
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I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
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On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.
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Nothing's going to come to you by sitting around and waiting for it.
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I think most actors jump at the chance to do something where the camera's on them all the time.
Zoe Kazan