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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
Zoe Kazan
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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Laughing
Faces
Moving
Making
Look
Crying
Looks
Parts
Writing
Cry
Like
Fool
More quotes by Zoe Kazan
I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
Zoe Kazan
I don't think a lot of people are like, I'm just quirky! Or if they are, it's a stage they're going through as they figure out who they are. I never felt like I was choosing roles that were quirky.
Zoe Kazan
Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.
Zoe Kazan
In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
Zoe Kazan
There aren't a lot of movies being made about women, period. Most of the time, the roles that are available are the sidekick, the friend, the girlfriend or the wife, and they just aren't that interesting.
Zoe Kazan
And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
Zoe Kazan
I don't have a lot of patience for boring arthouse movies.
Zoe Kazan
I've definitely gotten to work with female directors, and I feel lucky because of that. I just feel like more voices should be represented.
Zoe Kazan
I think, a lot of times, directors assume that whatever they get from you the first time, whether it be at an audition or on set, is all that you can bring.
Zoe Kazan
I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
Zoe Kazan
You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
Zoe Kazan
I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.
Zoe Kazan
I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.
Zoe Kazan
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
Zoe Kazan
My hero is Michelle Williams, who I grew close to when we did 'Meek's Cutoff.' She's an extraordinary actor and mom.
Zoe Kazan
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
Zoe Kazan
I've worked with a lot of really famous people. It stops being weird really quickly. For me, at least.
Zoe Kazan
I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.
Zoe Kazan
I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.
Zoe Kazan
Part of the challenge of being a girl living in the 21st Century, looking back, the danger is to not judge your character by your own standards.
Zoe Kazan