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And when I get bored, it's like the worst parts of me come out. I really veer to self-destructive tendencies quickly.

Zoe Kazan

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Zoe Kazan
Age: 41
Born: 1983
Born: September 9
Actor
Film Actor
Film Actress
Playwright
Screenwriter
Stage Actor
Television Actor
Writer
LA
California
Zoe Swicord Kazan
Quickly
Parts
Worst
Come
Self
Veer
Really
Tendencies
Like
Destructive
Bored

More quotes by Zoe Kazan

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I'm klutzy, and I don't embarrass easily.
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What I did have was an incredible amount of belief in myself.
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I think the written word is my first love. I was just a very imagination - centered child and a big part of that imaginary life came from reading.
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I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.
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On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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Well, I have a sister that I'm very close with, and that relationship is probably the most intense relationship of my life to date, probably of my life, period.
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I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
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There are a lot of words that I knew first as a reader, and I never put the pieces together in my brain. The word segue I thought was pronounced seeg, I think until I went to college, which is horribly embarrassing.
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When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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I just went through my childhood attic with my sister. I'm not an expert, and I don't mean to put myself in that category, but thinking about Malcolm Gladwell and the 10,000 hours, I was like, Here are my 10,000 hours!
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Sometimes I feel that the people I'm writing are more real to me than the people around me. When you take that imaginative leap, you're living so much in that world.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
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I was really surprised when I started working and realized that you're actually on your own, a lot of the time. It makes you really responsible, as an actor.
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I'm pretty sure I ate ants in Mexico.
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I have mad luck. I'm super-good at games like backgammon or anything that requires rolling dice.
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I think most actors jump at the chance to do something where the camera's on them all the time.
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Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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