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There's nothing in Chinese culture that is an equivalent of the geisha. It's so different, so special to Japan.

Zhang Ziyi

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Zhang Ziyi
Age: 45
Born: 1979
Born: February 9
Actor
Dancer
Film Actor
Film Actress
Model
Stage Actor
Peking
Ziyi Zhang
Japan
Chinese
Special
Culture
Nothing
Different
Geisha
Equivalent

More quotes by Zhang Ziyi

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Today's China is not in the least shut out from the rest of the world. Trends come to us from all over the world. And the Internet is really developed in China. We get news from all over the world.
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When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.
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I wanted to escape so badly. But of course I knew I couldn't just give up and leave school. It was only when I heard my mom's voice that I came out of my hiding place.
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It's not that I wanted to be an actor it's that I didn't want to be a dancer! I was trained in traditional Chinese dance, and after working so hard it seemed unfair to just disappear into a group.
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After I learn more English, I'll work hard and make more films.
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I'm not really interested in politics, because I think it's just too removed from my own life. If there's a war, though, or a disaster, I want to know what's happening.
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Zhang Yimou is always going to need young, pretty girls for his films. But I don't really concern myself with what Zhang Yimou's next starlet looks like.
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A movie has its own fate, which often doesn’t depend on the performances of the director and actors.
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I was really interested in geishas' work, and wanted to meet real geishas.
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Men are different. When they are in love they may also have other girlfriends.
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I enjoy being an actress a lot, because I can feel different women's lives. I have the chance to feel like a geisha one day, and on another day maybe a scientist. That's the interesting part for me. My profession has helped me to grow up.
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I knew nothing about martial arts. And I don't really like it! But in the film, I not only had to pretend that I knew all about it, I had to be the best at it. That was very difficult.
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Most people spend their whole lives looking for the right job. There are others who never get an opportunity to do work that fulfils them.
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Working in Hollywood, it's clear the more money you have, the more technology you can get. So you can build a whole Japanese set. Only in Hollywood!
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Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
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I don't care if you love me or not. I'll love you anyway.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
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China's cinema has been rising for some time it has more exposure, so my chances of becoming internationally known are better. But the first thing I have to do is learn English. If I can grasp the language, then perhaps I can think about the U.S.
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The atmosphere at my school was very competitive. Young girls were competing with each other every day for status, for leadership, for the affection of the teachers. I hated it.
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In China, we don't consider someone truly beautiful until we have known them for a long time, and we know what's underneath the skin.
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