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Architecture is particularly difficult for women there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
Zaha Hadid
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Zaha Hadid
Age: 65 †
Born: 1950
Born: October 31
Died: 2016
Died: March 31
Architect
Artist
Designer
Jewelry Designer
Painter
Sculptor
University Teacher
Bagdad
Zaha Mohammad Hadid
Dame Zaha Mohammad Hadid
Zaha M. Hadid
Time
Industry
Think
Building
Thinking
Society
Clients
Difficult
Male
Women
Males
Reason
Architecture
Long
Particularly
Men
Blame
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Too many are too obsessed by method. it becomes a dogma.
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The current state of architecture and design requires extensive collaboration and an investigative attitude and we continue to research and develop new technologies.
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In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.
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The idea for a building or an object can come up just as quick, but there is a big difference in process.
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All the privileged can travel, see different worlds, not everyone can. I think it is important for people to have an interesting locale nearby.
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If I'm in london it can be different than if I'm somewhere else.
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What's similar between Britain and America is the lack of good-quality civic buildings.
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The beauty of the landscape - where sand, water, reeds, birds, buildings, and people all somehow flowed together - has never left me.
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Of course there is a lot of fluidity now between art, architecture and fashion - a lot more cross-pollination in the disciplines, but this isn't about competition, it's about collaboration and what these practices and processes can contribute to one another.
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People say I design architectural icons. If I design a building and it becomes an icon, that's ok.
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I am eccentric, I admit it, but I am not a nutcase.
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Know what it is that you are trying to find out.
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The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.
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It was such a depressing time. I didn't look very depressed, maybe, but it was really dire. I made a conscious decision not to stop, but it could have gone the other way.
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They all come out from the same thing all the projects are connected somehow.
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I don't think that architecture is only about shelter, is only about a very simple enclosure. It should be able to excite you, to calm you, to make you think.
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When women do succeed, the press, even the industry press, spend far too much time talking about how we dress, what shoes we're wearing, who we're meant to be seeing. That's pretty sad for women, especially when it's written by women who really should know better.
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You don't always have to show art in what's called a white box you can have a kind of complexity within an exhibit which actually respects the art as well.
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With products the form is almost the finished piece, but with architecture it is not.
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