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The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.

Zaha Hadid

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Zaha Hadid
Age: 65 †
Born: 1950
Born: October 31
Died: 2016
Died: March 31
Architect
Artist
Designer
Jewelry Designer
Painter
Sculptor
University Teacher
Bagdad
Zaha Mohammad Hadid
Dame Zaha Mohammad Hadid
Zaha M. Hadid
Mean
England
Different
Based
Really
Worst
Commission
Like
Whether
Scheme
Process
America
Interview
Best
Schemes
Nothing
Interviews

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The goal posts might shift, but you should have a goal.
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I love driving around east London - it's always full of surprises. Actually, I don't drive myself - I like to be driven.
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Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
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People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
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Obviously for some people there is a big connection between music and the way you can create a space.
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The world is looking more and more segmented, the difference between people is becoming greater.
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When I first came to Guangzhou in 1981, it seemed such a hard and dour place with everyone in Chairman Mao uniforms.
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When I taught, all my best students were women.
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I have always appreciated those who dare to experiment with materials and proportions.
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I used to not like being called a 'woman architect.' I'm an architect, not just a woman architect. The guys used to tap me on the head and say 'you're OK for a girl.' But I see an incredible amount of need from other women for reassurance that it can be done, so I don't mind anymore.
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You have to really believe not only in yourself you have to believe that the world is actually worth your sacrifices.
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No. I don't have the patience, and I'm not very tactful. People say I can be frightening.
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I find industrial cities exciting. I like their toughness.
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When I was growing up in Iraq, there was an unbroken belief in progress and a great sense of optimism. It was a moment of nation building.
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I like music. Country, hip-hop, R&B, sometimes classical.
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Architecture is like writing. You have to edit it over and over so it looks effortless
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Of course there is a lot of fluidity now between art, architecture and fashion - a lot more cross-pollination in the disciplines, but this isn't about competition, it's about collaboration and what these practices and processes can contribute to one another.
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I really love Miami, but I don't think the architecture matches the city. It's a bit too commercial.
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When women do succeed, the press, even the industry press, spend far too much time talking about how we dress, what shoes we're wearing, who we're meant to be seeing. That's pretty sad for women, especially when it's written by women who really should know better.
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I miss aspects of being in the Arab world - the language - and there is a tranquility in these cities with great rivers. Whether it's Cairo or Baghdad, you sit there and you think, 'This river has flown here for thousands of years.' There are magical moments in these places.
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