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I don't particularly like showing furniture on pedestals, but for whatever reasons you always have to in museums.
Zaha Hadid
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Zaha Hadid
Age: 65 †
Born: 1950
Born: October 31
Died: 2016
Died: March 31
Architect
Artist
Designer
Jewelry Designer
Painter
Sculptor
University Teacher
Bagdad
Zaha Mohammad Hadid
Dame Zaha Mohammad Hadid
Zaha M. Hadid
Reasons
Whatever
Reason
Pedestals
Always
Pedestal
Like
Furniture
Museums
Showing
Particularly
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I find industrial cities exciting. I like their toughness.
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All the privileged can travel, see different worlds, not everyone can. I think it is important for people to have an interesting locale nearby.
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Contrary to popular view, I've never been patronized in the Middle East. Men maybe treat women differently, but they do not treat them with disrespect. They don't hate women. It's a very different kind of mentality.
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When women do succeed, the press, even the industry press, spend far too much time talking about how we dress, what shoes we're wearing, who we're meant to be seeing. That's pretty sad for women, especially when it's written by women who really should know better.
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Some people really live and work within the same doctrine, the same diagram with the same logic.
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My work first engaged with the early russian avant-garde the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
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They all come out from the same thing all the projects are connected somehow.
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I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
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What's similar between Britain and America is the lack of good-quality civic buildings.
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You have to really believe not only in yourself you have to believe that the world is actually worth your sacrifices.
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When I taught, all my best students were women.
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I am sure that as a woman I can do a very good skyscraper.
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For many years, I hated nature. As a student, I refused to put a plant anywhere - a living plant, that is. Dead plants were OK.
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It would be very interesting to design objects for everyday life, something where the ideas that are expressed can be launched into society.
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From my first days studying architecture at the architectural association, I have always been interested in the concept of fragmentation and with ideas of abstraction and explosion, where we were de-constructing ideas of repetitiveness and mass production.
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For a woman to go out alone into architecture is still very, very hard. It's still a man's world.
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I will always have two regrets. I don't have a presence in London, and I would have liked to have done more work in the Middle East.
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People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
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Being Iraqi taught me to be very cautious.
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I really love Miami, but I don't think the architecture matches the city. It's a bit too commercial.
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