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I don't particularly like showing furniture on pedestals, but for whatever reasons you always have to in museums.
Zaha Hadid
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Zaha Hadid
Age: 65 †
Born: 1950
Born: October 31
Died: 2016
Died: March 31
Architect
Artist
Designer
Jewelry Designer
Painter
Sculptor
University Teacher
Bagdad
Zaha Mohammad Hadid
Dame Zaha Mohammad Hadid
Zaha M. Hadid
Museums
Showing
Particularly
Reasons
Whatever
Reason
Pedestals
Always
Pedestal
Like
Furniture
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People say I design architectural icons. If I design a building and it becomes an icon, that's ok.
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I loved London. In the 1970s... it was very exciting, really wild.
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The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.
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I miss aspects of being in the Arab world - the language - and there is a tranquility in these cities with great rivers. Whether it's Cairo or Baghdad, you sit there and you think, 'This river has flown here for thousands of years.' There are magical moments in these places.
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A brilliant design will always benefit from the input of others.
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I find industrial cities exciting. I like their toughness.
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Architecture is particularly difficult for women there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
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Malevitch discovered abstraction as an experimental principle that can propel creative work to previously unheard levels of invention this abstract work allowed much greater levels of creativity.
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Know what it is that you are trying to find out.
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Good education is so important. We do need to look at the way people are taught. It not just about qualifications to get a job. It's about being educated.
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The conservative values that are emerging, it may not effect architecture immediately but it will effect society and that's what worries me.
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One has to strive for a very open liberal society.
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People don't talk to you properly. It's the way they talk to you they dismiss you. I think it's a combination of me being a woman and a foreigner.
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I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
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In Iraq, many of my female friends were architects and professionals with a lot of power during the 1980s while all the men were at war in Iran.
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Of course there is a lot of fluidity now between art, architecture and fashion - a lot more cross-pollination in the disciplines, but this isn't about competition, it's about collaboration and what these practices and processes can contribute to one another.
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I made a decision when I was in school that I'd have a lot of male friends.
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