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I am sure that as a woman I can do a very good skyscraper.

Zaha Hadid

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Zaha Hadid
Age: 65 †
Born: 1950
Born: October 31
Died: 2016
Died: March 31
Architect
Artist
Designer
Jewelry Designer
Painter
Sculptor
University Teacher
Bagdad
Zaha Mohammad Hadid
Dame Zaha Mohammad Hadid
Zaha M. Hadid
Woman
Good
Skyscraper
Sure

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What's similar between Britain and America is the lack of good-quality civic buildings.
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I don't think that everybody in the planet should have a child. I've never had the desire I should have a kid.
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There are 360 degrees, so why stick to one?
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When I first came to Guangzhou in 1981, it seemed such a hard and dour place with everyone in Chairman Mao uniforms.
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There is a strong reciprocal relationship whereby our more ambitious design visions encourage the continuing development of the new digital technologies and fabrication techniques, and those new developments in turn inspire us to push the design envelope ever further.
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They all come out from the same thing all the projects are connected somehow.
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I miss aspects of being in the Arab world - the language - and there is a tranquility in these cities with great rivers. Whether it's Cairo or Baghdad, you sit there and you think, 'This river has flown here for thousands of years.' There are magical moments in these places.
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The paintings have only ever been ways of exploring architecture. I don't see them as art.
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I loved London. In the 1970s... it was very exciting, really wild.
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Architecture is particularly difficult for women there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
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People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
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The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.
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Contrary to popular view, I've never been patronized in the Middle East. Men maybe treat women differently, but they do not treat them with disrespect. They don't hate women. It's a very different kind of mentality.
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It is insufficient for architecture today to directly implement an existing building typology it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
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When I was growing up in Iraq, there was an unbroken belief in progress and a great sense of optimism. It was a moment of nation building.
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I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
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In Iraq, many of my female friends were architects and professionals with a lot of power during the 1980s while all the men were at war in Iran.
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Obviously for some people there is a big connection between music and the way you can create a space.
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Of course there is a lot of fluidity now between art, architecture and fashion - a lot more cross-pollination in the disciplines, but this isn't about competition, it's about collaboration and what these practices and processes can contribute to one another.
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