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Architecture is unnecessarily difficult. It's very tough.

Zaha Hadid

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Zaha Hadid
Age: 65 †
Born: 1950
Born: October 31
Died: 2016
Died: March 31
Architect
Artist
Designer
Jewelry Designer
Painter
Sculptor
University Teacher
Bagdad
Zaha Mohammad Hadid
Dame Zaha Mohammad Hadid
Zaha M. Hadid
Difficult
Unnecessarily
Architecture
Tough

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I am sure that as a woman I can do a very good skyscraper.
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When I taught, all my best students were women.
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In hospital, people should be able to have time to themselves.
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I have always appreciated those who dare to experiment with materials and proportions.
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You don't always have to show art in what's called a white box you can have a kind of complexity within an exhibit which actually respects the art as well.
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Good education is so important. We do need to look at the way people are taught. It not just about qualifications to get a job. It's about being educated.
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The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.
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From my first days studying architecture at the architectural association, I have always been interested in the concept of fragmentation and with ideas of abstraction and explosion, where we were de-constructing ideas of repetitiveness and mass production.
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Know what it is that you are trying to find out.
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People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
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There are so many great galleries and museums in London, but they can be very crowded during the day.
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If I'm in london it can be different than if I'm somewhere else.
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For many years, I hated nature. As a student, I refused to put a plant anywhere - a living plant, that is. Dead plants were OK.
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I don't use the computer. I do sketches, very quickly, often more than 100 on the same formal research.
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My work first engaged with the early russian avant-garde the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
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I don't think that architecture is only about shelter, is only about a very simple enclosure. It should be able to excite you, to calm you, to make you think.
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I've always been interested in combining architecture with a social agenda, and I really think you can invest and be inventive with hospitals and housing.
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There is a strong reciprocal relationship whereby our more ambitious design visions encourage the continuing development of the new digital technologies and fabrication techniques, and those new developments in turn inspire us to push the design envelope ever further.
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When I first came to Guangzhou in 1981, it seemed such a hard and dour place with everyone in Chairman Mao uniforms.
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I don't like the masculine style, jeans. I like issey miyake... and black dresses.
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