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When I see my friends engaging in a Twitter war for an afternoon, I think that would destroy me for a month.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Would
Engaging
Think
Twitter
Thinking
Afternoon
Month
Destroy
Months
Friends
War
More quotes by Zadie Smith
13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
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I am very selfish, really. I lived for love.
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Tell the truth through whichever veil comes to hand - but tell it.
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The young people have a phrase for this now, which is slay in your lane. That's a very important principle of writing. You have to work out what it is you can't do, obscure it, and focus on what works.
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It's a feeling of happiness that knocks me clean out of adjectives. I think sometimes that the best reason for writing novels is to experience those four and a half hours after you write the final word.
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He had her in his heart, but not always in his mind.
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[George Saunders] is very precise about what he is doing. There isn't a thing left to chance.
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Sometimes, one wants to have the illusion that one is making ones own life, out of ones own resources.
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It wasn't like the spare rooms of immigrants - packed to the rafters with all that they have ever possessed, no matter how defective or damaged, mountains of odds and ends - the stand testament to the fact that they have things now, where before they had nothing.
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Then you begin to give up the very idea of belonging. Suddenly this thing, this belonging,it seems like some long, dirty lie ... and I begin to believe that birthplaces are accidents, that everything is an accident. But if you believe that, where do you go? What do you do? What does anything matter?
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Any artist who aligns themselves with a politician is making a category error because what politicians do is not on a human scale, it is on a geopolitical scale.
Zadie Smith
All my books are made up of other books. They're all deeply structured on other fiction, because I was a student in fiction and I didn't have much actual living to draw on. I suspect a lot of other people's novels are like that, too, though they might be slower to talk about it.
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An essential part of power is the freedom not to think too deeply
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When a human being becomes a set of data on a website like Facebook, he or she is reduced. Everything shrinks. Individual character. Friendships. Language. Sensibility.
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I do my best work under pressure, so I’ll nick an artery, and my husband isn’t allowed to stanch the bleeding till I’ve banged out a chapter.
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It seems to me now that the deep structures [in writing] are often subconscious and set in childhood.
Zadie Smith
It's difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
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Most of the cruelty in the world is just misplaced energy.
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English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
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Those beliefs about the essential goodness or beauty of the world are fundamentally paper-thin bullshit. There's not an essential belief that isn't a contingent belief. It could all be destroyed in a second, at any second. And I have an issue with that.
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