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When I see my friends engaging in a Twitter war for an afternoon, I think that would destroy me for a month.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Think
Twitter
Thinking
Afternoon
Month
Destroy
Months
Friends
War
Would
Engaging
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This is what a woman is: unadorned, after children and work and age, and experience-these are the marks of living.
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
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'A reality shaped around your own desires' - there is something sociopathic in that ambition.
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Most of the cruelty in the world is just misplaced energy.
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There's a perception that novels can't usually allow for your kind of absolute attention to detail.
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You must live life with the full knowledge that your actions will remain. We are creatures of consequence.
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Under every friendship there is a difficult sentence that must be said, in order that the friendship can be survived.
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Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
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Art is the Western myth, with which we both console ourselves and make ourselves.
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The nineties, ecstatic decade!
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Fate is a quantity very much like TV: an unstoppable narrative, written, produced and directed by somebody else.
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Don't live in a way that makes you feel dead.
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Your mid-thirties is a good time because you know a fair amount, you have some self-control.
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Then you begin to give up the very idea of belonging. Suddenly this thing, this belonging,it seems like some long, dirty lie ... and I begin to believe that birthplaces are accidents, that everything is an accident. But if you believe that, where do you go? What do you do? What does anything matter?
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All novels attempt to cut neural routes through the brain, to convince us that down this road the true future of the novel lies.
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