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For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Saunders
Bardo
Lincoln
George
Novel
Pain
Problem
More quotes by Zadie Smith
I never bought the idea of individual genius from which the novel spews forth. It's always an act of curation.
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I am very selfish, really. I lived for love.
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I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
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Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
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We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
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Those beliefs about the essential goodness or beauty of the world are fundamentally paper-thin bullshit. There's not an essential belief that isn't a contingent belief. It could all be destroyed in a second, at any second. And I have an issue with that.
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Jerome said, It's like, a family doesn't work anymore when everyone in it is more miserable than they would be if they were alone, You know?
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I like books that don't give you an easy ride. I like the feeling of discomfort. The sense of being implicated.
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I always remind myself that [ Jean-Paul] Sartre and [Simone] de Beauvoir didn't have children. And when you don't have children, it might be easier to believe that the child doesn't come with something.
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I love to dance, and sing - in the shower, not in public. Im too old to go raving, but my fondest memories are of that kind of thing - dancing, with lots of people, outside if possible.
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I used to take that God's-eye view as a comfort when I was a child. I'd think, Well, we couldn't find the world meaningful at all if it weren't for death. Of course, that is the smuggest and most intolerable of all perspectives because I'm not suffering from the death or the pain.
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Surely there is something to be said for drawing a circle around our attention and remaining within that circle. But how large should this circle be?
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
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It seems to me,' said Magid finally, as the moon became clearer than the sun, 'that you have tried to love a man as if he were an island and you were shipwrecked and you could mark the land with an X. It seems to me it is too late in the day for all that.' Then he gave her a kiss on the forehead that felt like a baptism and she wept like a baby.
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A trauma is something one repeats and repeats, after all, and this is the tragedy of the Iqbals--that they can't help but reenact the dash they once made from one land to another, from one faith to another, from one brown mother country into the pale, freckled arms of an imperial sovereign.
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You say you want to talk, But you don't . You stonewall me.
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Try to read your own work as a stranger would read it, or even better, as an enemy would.
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I do my best work under pressure, so I’ll nick an artery, and my husband isn’t allowed to stanch the bleeding till I’ve banged out a chapter.
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People profess to have certain political positions, but their conservatism or liberalism is really the least interesting thing about them.
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