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I have a natural tendency to feel well about the world, I suppose, one way or another. But then there is the problem of pain. There are things like [Abraham] Lincoln's beloved little boy dying.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
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London
England
Zadie Adeline Smith
Things
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Like
Littles
Beloved
World
Little
Suppose
Wells
Dying
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Boys
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Abraham
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Tendency
More quotes by Zadie Smith
It's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe.
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You don't come to live here unless the delusion of a reality shaped around your own desires isn't a strong aspect of your personality. A reality shaped around your own desires - there is something sociopathic in that ambition.
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The greatest lie ever told about love is that it sets you free.
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I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
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A lot of women, when they're young, feel they have very good friends, and find later on that friendship is complicated. It's easy to be friends when everyone's 18. It gets harder the older you get, as you make different life choices, as people say in America. A lot of women's friendships begin to founder.
Zadie Smith
Tell the truth through whichever veil comes to hand - but tell it.
Zadie Smith
It's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.
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Can't a rapper insist, like other artists, on a fictional reality, in which he is somehow still on the corner, despite occupying the penthouse suite?
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He traced the genealogy of the feeling.
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I don't ask myself what did I live for, said Carlene strongly. That is a man's question. I ask whom did I live for.
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She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
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We cannot love something solely because it has been ignored. It must also be worthy of our attention.
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It was in the air, or so it seemed to Kiki, this hatred of women and their bodies- it seeped in with every draught in the house people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it.
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Oh, I know that. You know me, baby, I cannot be broken. Takes a giant to snap me in half.
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The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
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Some people--Samad for example--will tell you not to trust people who overuse the phrase at the end of the day--football managers, estate agents, salesmen of all kinds--but Archie's never felt that way about it. Prudent use of said phrase never failed to convince him that his interlocutor was getting to the bottom of things, to the fundamental
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What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
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...They cannot escape their history any more than you yourself can lose your shadow.
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All novels attempt to cut neural routes through the brain, to convince us that down this road the true future of the novel lies.
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Then you begin to give up the very idea of belonging. Suddenly this thing, this belonging,it seems like some long, dirty lie ... and I begin to believe that birthplaces are accidents, that everything is an accident. But if you believe that, where do you go? What do you do? What does anything matter?
Zadie Smith