Quote

What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.

Zadie Smith

Change background

T
T
T

Change font

TAGS & TOPICS

Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Interest
Slight
Half
Lincoln
Without
Sublime
Like
Interests
Argument
Bardo
Exist
Perverse
Couldn
Landed
Balance
Grotesque

More quotes by Zadie Smith

Image
People profess to have certain political positions, but their conservatism or liberalism is really the least interesting thing about them.
Zadie Smith
Image
I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
Zadie Smith
Image
The library was the place I went to find out what there was to know. It was absolutely essential.
Zadie Smith
Image
I'm a writer who never writes about sex. It's so far from my own fictional world.
Zadie Smith
Image
But surely to tell these tall tales and others like them would be to spread the myth, the wicked lie, that the past is always tense and the future, perfect.
Zadie Smith
Image
Sometimes, one wants to have the illusion that one is making ones own life, out of ones own resources.
Zadie Smith
Image
Surely there is something to be said for drawing a circle around our attention and remaining within that circle. But how large should this circle be?
Zadie Smith
Image
But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.
Zadie Smith
Image
You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
Zadie Smith
Image
Tell the truth through whichever veil comes to hand - but tell it.
Zadie Smith
Image
I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
Zadie Smith
Image
I don't actually believe in the extension of consciousness after death.
Zadie Smith
Image
A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.
Zadie Smith
Image
Pulchritude--beauty where you would least suspect it, hidden in a word that looked like it should signify a belch or a skin infection.
Zadie Smith
Image
For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
Zadie Smith
Image
The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
Zadie Smith
Image
For me, [deep structures] might be something very simply to do with the split in my family. That's why I'm always thinking about opposites. It's so childish, really, but that might be simply what it is.
Zadie Smith
Image
I often worry that my idea of personhood is nostalgic, irrational, inaccurate.
Zadie Smith
Image
Don’t romanticise your ‘vocation’. You can either write good sentences or you can’t. There is no ‘writer’s lifestyle’. All that matters is what you leave on the page.
Zadie Smith
Image
They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
Zadie Smith