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It made me feel that I had to work very hard, but I've always felt I had to work very hard to get my own approval.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Felt
Hard
Feel
Feels
Work
Made
Always
Approval
More quotes by Zadie Smith
He was bookish, she was not he was theoretical, she political. She called a rose a rose. He called it an accumulation of cultural and biological constructions circulating around the mutually attracting binary poles of nature/artifice.
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The choices a writer makes within a tradition - preferring Milton to Moliere, caring for Barth over Barthelme - constitute some of the most personal information we can have about him.
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In a whisper he began begging for—and, as the sun set, received—the concession people always beg for: a little more time.
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Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
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Those beliefs about the essential goodness or beauty of the world are fundamentally paper-thin bullshit. There's not an essential belief that isn't a contingent belief. It could all be destroyed in a second, at any second. And I have an issue with that.
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The object of the passion is just an accessory to the passion itself.
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Generally, women can't do this, but men retain the ancient ability to leave a family and a past. They just unhook themselves, like removing a fake beard, and skulk discreetly back into society, changed men. Unrecognizable.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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Step back from your Facebook Wall for a moment: Doesn't it, suddenly, look a little ridiculous? Your life in this format?
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It's not in good taste to have talking ghosts in a grown-up novel.
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
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Can't a rapper insist, like other artists, on a fictional reality, in which he is somehow still on the corner, despite occupying the penthouse suite?
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I am very selfish, really. I lived for love.
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English fiction was something I loved growing up, and it changed my life - it changed the trajectory of my life.
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Art is the Western myth, with which we both console ourselves and make ourselves.
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To me, these kind of everyday miseries act as a fatal disqualifier. My sunniest beliefs are basically contingent on the fact that my child is not dying of cancer right now.
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I don't ask myself what did I live for, said Carlene strongly. That is a man's question. I ask whom did I live for.
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Desperation, weakness, vulnerability - these things will always be exploited. You need to protect the weak, ring-fence them, with something far stronger than empathy.
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Without the balancing context of everyday life, all you have is the news, and news by its nature is generally bad.
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Every moment happens twice: inside and outside, and they are two different histories.
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