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The choices a writer makes within a tradition - preferring Milton to Moliere, caring for Barth over Barthelme - constitute some of the most personal information we can have about him.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Within
Constitute
Artist
Stealing
Makes
Caring
Tradition
Writer
Moliere
Personal
Barth
Information
Preferring
Choices
Milton
More quotes by Zadie Smith
Don't confuse honours with achievement.
Zadie Smith
I love to dance, and sing - in the shower, not in public. Im too old to go raving, but my fondest memories are of that kind of thing - dancing, with lots of people, outside if possible.
Zadie Smith
And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment it is transient as all moments are it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name let us call it the Fullness of Time.
Zadie Smith
One thing you learn about the novel as a form is that it's always smarter than you are.
Zadie Smith
The arena of women's lives is somewhat more intimate. If a woman goes out with an incredibly attractive man and they break up, that woman is not more attractive to men. It's completely irrelevant to them. That's an example of the way women's minds work.
Zadie Smith
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Zadie Smith
And so it happened again, the daily miracle whereby interiority opens out and brings to bloom the million-petalled flower of being here, in the world, with other people. Neither as hard as she had thought it might be nor as easy as it appeared.
Zadie Smith
A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.
Zadie Smith
A trauma is something one repeats and repeats, after all, and this is the tragedy of the Iqbals--that they can't help but reenact the dash they once made from one land to another, from one faith to another, from one brown mother country into the pale, freckled arms of an imperial sovereign.
Zadie Smith
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
Zadie Smith
No matter what anyone says, suicide takes guts. It's for heroes and martyrs, truly vainglorious men. Archie was none of these. He was a man whose significance in the Greater Scheme of Things could be figured along familiar ratios: Pebble : Beach Raindrop : Ocean Needle : Haystack
Zadie Smith
They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
Zadie Smith
Most of the cruelty in the world is just misplaced energy.
Zadie Smith
It seems that if you put people on paper and move them through time, you cannot help but talk about ethics, because the ethical realm exists nowhere if not here: in the consequences of human actions as they unfold in time, and the multiple interpretive possibility of those actions.
Zadie Smith
The idea that motherhood is inherently somehow a threat to creativity is just absurd.
Zadie Smith
You say you want to talk, But you don't . You stonewall me.
Zadie Smith
Everything shrinks. Individual character. Friendships. Language. Sensibility.
Zadie Smith
- You look fine. - Right. I look fine. Except I don't, said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust.
Zadie Smith
What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
Zadie Smith
Fate is a quantity very much like TV: an unstoppable narrative, written, produced and directed by somebody else.
Zadie Smith