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An essential part of power is the freedom not to think too deeply
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Think
Thinking
Deeply
Essential
Essentials
Freedom
Part
Power
More quotes by Zadie Smith
It's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.
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It's not in good taste to have talking ghosts in a grown-up novel.
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Tell the truth through whichever veil comes to hand - but tell it.
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It seems to me,' said Magid finally, as the moon became clearer than the sun, 'that you have tried to love a man as if he were an island and you were shipwrecked and you could mark the land with an X. It seems to me it is too late in the day for all that.' Then he gave her a kiss on the forehead that felt like a baptism and she wept like a baby.
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The lack of alternatives to an illegal action does not legitimise that action.
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Make sure the lubricant is unscented. Don't join fashionable 'schools of thought.' Read everything.
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We cannot love something solely because it has been ignored. It must also be worthy of our attention.
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We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
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He traced the genealogy of the feeling.
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No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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'A reality shaped around your own desires' - there is something sociopathic in that ambition.
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Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
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It's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe.
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English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
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You say you want to talk, But you don't . You stonewall me.
Zadie Smith
English, as a subject, never really got over its upstart nature. It tries to bulk itself up with hopeless jargon and specious complexity, tries to imitate subjects it can never be.
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When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who'd briefly joined a religious cult and then discovered Foucault. Such is life.
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Those beliefs about the essential goodness or beauty of the world are fundamentally paper-thin bullshit. There's not an essential belief that isn't a contingent belief. It could all be destroyed in a second, at any second. And I have an issue with that.
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It was a kiss from the past.
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