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But surely to tell these tall tales and others like them would be to spread the myth, the wicked lie, that the past is always tense and the future, perfect.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Perfect
Tall
Black
Surely
Tell
Wicked
Others
Tales
Past
Myth
Always
Spread
Would
Lying
Like
Future
Tense
More quotes by Zadie Smith
I am the sole author of the dictionary that defines me.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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The young people have a phrase for this now, which is slay in your lane. That's a very important principle of writing. You have to work out what it is you can't do, obscure it, and focus on what works.
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Nowadays, I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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Learning how to be a good reader is what makes you a writer.
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You can feel bad... I mean, that's not illegal.
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The end is simply the beginning of an even longer story.
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I used to take that God's-eye view as a comfort when I was a child. I'd think, Well, we couldn't find the world meaningful at all if it weren't for death. Of course, that is the smuggest and most intolerable of all perspectives because I'm not suffering from the death or the pain.
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I read Carver. Julio Cortázar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
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If you're going to write a good book, you have to make mistakes and you have to not be so cautious all the time.
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All my books are made up of other books. They're all deeply structured on other fiction, because I was a student in fiction and I didn't have much actual living to draw on. I suspect a lot of other people's novels are like that, too, though they might be slower to talk about it.
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The library was the place I went to find out what there was to know. It was absolutely essential.
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To me, these kind of everyday miseries act as a fatal disqualifier. My sunniest beliefs are basically contingent on the fact that my child is not dying of cancer right now.
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Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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The idea that motherhood is inherently somehow a threat to creativity is just absurd.
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It's not in good taste to have talking ghosts in a grown-up novel.
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I'm always interested in the way people speak and move in their environment, in a very particular environment. I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the any novel is a local thing always.
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I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
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