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You say you want to talk, But you don't . You stonewall me.

Zadie Smith

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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Stonewall
Talk

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When a human being becomes a set of data on a website like Facebook, he or she is reduced. Everything shrinks. Individual character. Friendships. Language. Sensibility.
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Make sure the lubricant is unscented. Don't join fashionable 'schools of thought.' Read everything.
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All novels attempt to cut neural routes through the brain, to convince us that down this road the true future of the novel lies.
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Then he gave her a kiss on the forehead that felt like a baptism and she wept like a baby.
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You don't have favourites among your children, but you do have allies.
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I'm not sure if you're the person for me any more.
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Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
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No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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I do my best work under pressure, so I’ll nick an artery, and my husband isn’t allowed to stanch the bleeding till I’ve banged out a chapter.
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There's a perception that novels can't usually allow for your kind of absolute attention to detail.
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She hopes for nothing except fine weather and a resolution. She wants to end properly, like a good sentence.
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Art is the Western myth, with which we both console ourselves and make ourselves.
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I don't actually believe in the extension of consciousness after death.
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Today, writing seems to me like an incredible luxury, almost a perversity, something which hardly exists in the world anymore, where you get to see the fruits of your actions in a daily way.
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The lack of alternatives to an illegal action does not legitimise that action.
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You must live life with the full knowledge that your actions will remain. We are creatures of consequence.
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I am the sole author of the dictionary that defines me.
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For me, [deep structures] might be something very simply to do with the split in my family. That's why I'm always thinking about opposites. It's so childish, really, but that might be simply what it is.
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To a novelist, fluidity is the ultimate good omen suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.
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I know a lot of people who read and think: George [Saunders] is so much fun. There's no denying you're fun to read, but as a writer I think of [George Saunders] as, in fact, not a fun and freewheeling type but really an obsessive control artist.
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