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13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Might
Academic
Susan
Performance
Compulsory
Performances
Undertake
Weight
Expects
Problems
Regime
Asks
Regimes
Whether
Desirable
Problem
Considering
Wolfe
More quotes by Zadie Smith
People don't settle for people. They resolve to be with them. It takes faith. You draw a circle in the sand and agree to stand in it and believe in it.
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Tell the truth through whichever veil comes to hand - but tell it. Resign yourself to the lifelong sadness that comes from never being satisfied.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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Sometimes, one wants to have the illusion that one is making ones own life, out of ones own resources.
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It was a kiss from the past.
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No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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You must live life with the full knowledge that your actions will remain. We are creatures of consequence.
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When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who'd briefly joined a religious cult and then discovered Foucault. Such is life.
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It’s such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
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The secret to editing your work is simple: you need to become its reader instead of its writer.
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I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
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When people use that stream of consciousness, it's kind of just a term they use for anything that looks slightly different on the page.
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To me, these kind of everyday miseries act as a fatal disqualifier. My sunniest beliefs are basically contingent on the fact that my child is not dying of cancer right now.
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She hopes for nothing except fine weather and a resolution. She wants to end properly, like a good sentence.
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English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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Today, writing seems to me like an incredible luxury, almost a perversity, something which hardly exists in the world anymore, where you get to see the fruits of your actions in a daily way.
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This is what a woman is: unadorned, after children and work and age, and experience-these are the marks of living.
Zadie Smith
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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