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13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
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London
England
Zadie Adeline Smith
Whether
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Wolfe
Might
Academic
Susan
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Compulsory
Performances
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More quotes by Zadie Smith
(and Catholics give out forgiveness at about the same rate as politicians give out promises and whores give out)
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He traced the genealogy of the feeling.
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I used to take that God's-eye view as a comfort when I was a child. I'd think, Well, we couldn't find the world meaningful at all if it weren't for death. Of course, that is the smuggest and most intolerable of all perspectives because I'm not suffering from the death or the pain.
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Tell the truth through whichever veil comes to hand - but tell it.
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When I was 13, I really used to skip down the street, happy in thinking, Oh, well, someone's suffering pain in order for me to feel this pleasure.
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I am the sole author of the dictionary that defines me.
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Can't a rapper insist, like other artists, on a fictional reality, in which he is somehow still on the corner, despite occupying the penthouse suite?
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They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
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I never attended a creative writing class in my life. I have a horror of them.
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My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
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People profess to have certain political positions, but their conservatism or liberalism is really the least interesting thing about them.
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The lady was old, the lady was ill. It didn't matter what the lady believed.
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People don't settle for people. They resolve to be with them. It takes faith. You draw a circle in the sand and agree to stand in it and believe in it.
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Your mid-thirties is a good time because you know a fair amount, you have some self-control.
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I'm very attracted to exile literature - particularly Nabokov - exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
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You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
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I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.
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To a novelist, fluidity is the ultimate good omen suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.
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Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
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