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13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
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London
England
Zadie Adeline Smith
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Wolfe
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More quotes by Zadie Smith
Work on a computer that is disconnected from the internet.
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English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
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In the end, your past is not my past and your truth is not my truth and your solution - is not my solution.
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Today, writing seems to me like an incredible luxury, almost a perversity, something which hardly exists in the world anymore, where you get to see the fruits of your actions in a daily way.
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The ideal reader cannot sleep when holding the writer he was meant to be with.
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For ridding oneself of faith is like boiling seawater to retrieve the salt--something is gained but something is lost.
Zadie Smith
When I was young, I was very technical about these things. I didn't like to admit to any intimate relation with what I was writing.
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It's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.
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...They cannot escape their history any more than you yourself can lose your shadow.
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The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
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You are never stronger...than when you land on the other side of despair.
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It seems that if you put people on paper and move them through time, you cannot help but talk about ethics, because the ethical realm exists nowhere if not here: in the consequences of human actions as they unfold in time, and the multiple interpretive possibility of those actions.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
Zadie Smith
If you're going to write a good book, you have to make mistakes and you have to not be so cautious all the time.
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I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.
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No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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You can't state difference and also state equality. We have to state sameness to understand equality.
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I like books that don't give you an easy ride. I like the feeling of discomfort. The sense of being implicated.
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