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The past is always tense, the future perfect.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Tense
Classic
Future
Perfect
Past
Always
More quotes by Zadie Smith
Without the balancing context of everyday life, all you have is the news, and news by its nature is generally bad.
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(Feedback) People become addicted to it. That’s why journalism is so popular, because you want to hear, every day, what people think of what you just wrote. I think a little patience on that front can be good, too.
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All tastes are expressions of belief.
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'A reality shaped around your own desires' - there is something sociopathic in that ambition.
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Pulchritude--beauty where you would least suspect it, hidden in a word that looked like it should signify a belch or a skin infection.
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I like books that don't give you an easy ride. I like the feeling of discomfort. The sense of being implicated.
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A lot of women, when they're young, feel they have very good friends, and find later on that friendship is complicated. It's easy to be friends when everyone's 18. It gets harder the older you get, as you make different life choices, as people say in America. A lot of women's friendships begin to founder.
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You don't come to live here unless the delusion of a reality shaped around your own desires isn't a strong aspect of your personality. A reality shaped around your own desires - there is something sociopathic in that ambition.
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The novel leads you places that you never could have gotten to otherwise.
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Nowadays, I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own.
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He was bookish, she was not he was theoretical, she political. She called a rose a rose. He called it an accumulation of cultural and biological constructions circulating around the mutually attracting binary poles of nature/artifice.
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No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
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Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
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I have a natural tendency to feel well about the world, I suppose, one way or another. But then there is the problem of pain. There are things like [Abraham] Lincoln's beloved little boy dying.
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For me, [deep structures] might be something very simply to do with the split in my family. That's why I'm always thinking about opposites. It's so childish, really, but that might be simply what it is.
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All novels attempt to cut neural routes through the brain, to convince us that down this road the true future of the novel lies.
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We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
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Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
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They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
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