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You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
Writer
London
England
Zadie Adeline Smith
Different
Writer
Insightful
Always
Story
Represent
Things
Stories
Appear
Become
Pages
Find
Begin
Human
Beings
Humans
Short
Real
Approach
Cautiously
More quotes by Zadie Smith
An essential part of power is the freedom not to think too deeply
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When I was 13, I really used to skip down the street, happy in thinking, Oh, well, someone's suffering pain in order for me to feel this pleasure.
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The greatest lie ever told about love is that it sets you free.
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And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment it is transient as all moments are it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name let us call it the Fullness of Time.
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It was in the air, or so it seemed to Kiki, this hatred of women and their bodies- it seeped in with every draught in the house people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it.
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I am the sole author of the dictionary that defines me.
Zadie Smith
The novel leads you places that you never could have gotten to otherwise.
Zadie Smith
The end is simply the beginning of an even longer story.
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I have a natural tendency to feel well about the world, I suppose, one way or another. But then there is the problem of pain. There are things like [Abraham] Lincoln's beloved little boy dying.
Zadie Smith
But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.
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Sometimes Allah punishes and sometimes men have to do it, and it is a wise man who knows if it's Allah's turn or his own.
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
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Jerome said, It's like, a family doesn't work anymore when everyone in it is more miserable than they would be if they were alone, You know?
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I know to argue against our online lives seems like the argument of the grumpy, old Luddite novelist, but I really always try to make the argument from the perspective of personal pleasure.
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It's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.
Zadie Smith
He traced the genealogy of the feeling.
Zadie Smith
What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
Zadie Smith
Try to read your own work as a stranger would read it, or even better, as an enemy would.
Zadie Smith
I often worry that my idea of personhood is nostalgic, irrational, inaccurate.
Zadie Smith
I recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
Zadie Smith