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I wouldn't write about people who are living and who are close to me, because I think it's a very violent thing to do to another person. And anytime I have done it, even in the disguise of fiction, the results have been horrific.
Zadie Smith
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Zadie Smith
Age: 49
Born: 1975
Born: October 27
Essayist
Novelist
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London
England
Zadie Adeline Smith
Done
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Writing
Fiction
Even
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Thing
Living
Horrific
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Fate is a quantity very much like TV: an unstoppable narrative, written, produced and directed by somebody else.
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An essential part of power is the freedom not to think too deeply
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If you're going to write a good book, you have to make mistakes and you have to not be so cautious all the time.
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Step back from your Facebook Wall for a moment: Doesn't it, suddenly, look a little ridiculous? Your life in this format?
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I'm always interested in the way people speak and move in their environment, in a very particular environment. I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the any novel is a local thing always.
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First rule of writing: When still a child, make sure you read a lot of books. Spend more time doing this than anything else.
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They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
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Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
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In a whisper he began begging for—and, as the sun set, received—the concession people always beg for: a little more time.
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A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.
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I'm very attracted to exile literature - particularly Nabokov - exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
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The greatest lie ever told about love is that it sets you free.
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It seems to me,' said Magid finally, as the moon became clearer than the sun, 'that you have tried to love a man as if he were an island and you were shipwrecked and you could mark the land with an X. It seems to me it is too late in the day for all that.' Then he gave her a kiss on the forehead that felt like a baptism and she wept like a baby.
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I do my best work under pressure, so I’ll nick an artery, and my husband isn’t allowed to stanch the bleeding till I’ve banged out a chapter.
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Full stories are as rare as honesty.
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I know a lot of people who read and think: George [Saunders] is so much fun. There's no denying you're fun to read, but as a writer I think of [George Saunders] as, in fact, not a fun and freewheeling type but really an obsessive control artist.
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I used to take that God's-eye view as a comfort when I was a child. I'd think, Well, we couldn't find the world meaningful at all if it weren't for death. Of course, that is the smuggest and most intolerable of all perspectives because I'm not suffering from the death or the pain.
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Where I come from, said Archie, a bloke likes to get to know a girl before he marries her. Where you come from it is customary to boil vegetables until they fall apart. This does not mean, said Samad tersely, that it is a good idea.
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It's a feeling of happiness that knocks me clean out of adjectives. I think sometimes that the best reason for writing novels is to experience those four and a half hours after you write the final word.
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