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I felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.

Zack Snyder

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Zack Snyder
Age: 58
Born: 1966
Born: March 1
Camera Operator
Executive Producer
Film Actor
Film Director
Film Producer
Scientist
Screenwriter
Green Bay
Wisconsin
Zachary Edward Snyder
Zachary Edward Zack Snyder
People
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Origins
Society
Costume
Felt
Superman
Past
Fits
Littles
Apologizing
Little
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Way
Recent
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The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
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Also I've got to say in the movie [300] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!
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There's very few dork movies made by dorks.
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You can't have a Superman that is battling cultural morality. You need a Superman that has built in sort of values.
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Our plans for 'Superman?' I can't say. This is the most super secret thing ever. It's like working for the government, like I'm on a covert mission.
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The difference between 'Watchmen' and a normal comic book is this: With 'Batman's Gotham City,' you are transported to another world where that superhero makes sense 'Watchmen' comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.
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don't mean to sound weird but I get so immersed in the source material when I'm working on a movie that I kind of lose the line between what I thought of and what was in the book.
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Well, Bradbury's a genius. Fahrenheit 451 is one of my favorite books of all time, and The Illustrated Man as a collection of short stories ranks up there. When you read it you realize how influential it is on so many other stories and people.
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You can't will something into being. If you follow that philosophy all the way, to will something into being, that's animal style. That's what man does. But if you're looking at the philosophy correctly, and I never did - I like to think I did sometimes - you have to do it without ego, without the I. You have to separate yourself.
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Of course it would depend on the project, but I don't think I could ever separate myself from my aesthetic.
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In the Making Of book [300] there's a guy named Victor Davis Hanson who is a a frickin genius. He's a Greek historian and we showed him the movie because I wanted him to write a forward to the Making Of book. I was a little nervous to be honest, because I wasn't sure how he'd react.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.
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I think I just have a natural operatic aesthetic. I can't help it.
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Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
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Anytime I've ever been involved in a non-linear story, you see it in a linear manner first, just to make sure it makes sense, and then you chop it up and move it around.
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I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
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For whatever reason I was always obsessed with the potential of humanity's physicality. Especially since we grew up with such a non-physical philosophy.
Zack Snyder
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I imagine the film [300] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.
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So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. That’s the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.
Zack Snyder