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I felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.

Zack Snyder

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Zack Snyder
Age: 58
Born: 1966
Born: March 1
Camera Operator
Executive Producer
Film Actor
Film Director
Film Producer
Scientist
Screenwriter
Green Bay
Wisconsin
Zachary Edward Snyder
Zachary Edward Zack Snyder
Society
Costume
Felt
Superman
Past
Fits
Littles
Apologizing
Little
Costumes
Way
Recent
Like
Fit
People
Bits
Origins

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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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I imagine the film [300] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.
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So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. That’s the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.
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Yeah, I mean, I think I'm obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.
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The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.
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You can't will something into being. If you follow that philosophy all the way, to will something into being, that's animal style. That's what man does. But if you're looking at the philosophy correctly, and I never did - I like to think I did sometimes - you have to do it without ego, without the I. You have to separate yourself.
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I mean, like, I can go in a room and say, look, 'Watchmen' should be at least 15 minutes longer than 'Batman.' I mean, that's, like, any geek will tell you that.
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I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
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Our plans for 'Superman?' I can't say. This is the most super secret thing ever. It's like working for the government, like I'm on a covert mission.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!
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I've always been influenced by the human form. I'm a big fan of that Shakespeare quote. I tend to leave out the bad part of the paragon of animals quote, because I have this sort of Ayn Rand aesthetic. It was always one of those quotes that inspired me.
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I love comic books - maybe to a fault sometimes.
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I write in a pretty straightforward way. I kind of sit down at page one and start writing.
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When Reality is a prison, Your mind can set you free.
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Music has that ability to be a magical thing, and I was like, maybe music is the vehicle that transports us to that other world.
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My mom always encouraged me, it was never weird. She'd look at 'Heavy Metal' and go 'Woo-hoo!'
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
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I think that when you see the trailer [on movie 300] - my feeling is anyway and maybe I'm not objective because I live it - but I think when you see it you immediately go, 'Okay, this is another sort of way of doing this.'
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I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'
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