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Part of being a psychopath is an ability to dissociate from one reality and create another one, completely.
Zachary Quinto
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Zachary Quinto
Age: 47
Born: 1977
Born: June 2
Actor
Film Actor
Film Producer
Television Actor
Pittsburg
Pennsylvania
Zachary John Quinto
Psychopath
Completely
Create
Ability
Another
Reality
Part
Dissociate
More quotes by Zachary Quinto
[Edward Snowden and his team] they're great characters. They're fascinating people. They were in an extraordinary situation.
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We [with Neal Dodson and Corey Moosa] spent a lot of time writing, for lack of a better word, this manifesto about what we wanted to do. We wanted to find work that was relevant socially and that didn't take audiences for granted.
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I don't immerse myself in the Internet chatter because it opens you up to a whole source of danger.
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I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I'm the best for this job.
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I think it's always good when you're able to, as an actor, allow your work to be some kind of a conduit for social discourse, and an examination of where we are, as a society.
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I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious].
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We're living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
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Every time I get on an airplane I have a routine. I cover the inside of my nostrils with anti-bacterial ointment. I'm popping Zicam like it's candy. And I drink, literally, from L.A. to New York, six bottles of water.
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I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That's how it started.
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I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.
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I only auditioned at four schools. I started performing and studying when I was in middle school, and then as I got into high school, it just got more serious. I feel like it became more of a vocation. It became clear to me at that point that I wanted to pursue it.
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It was actually pretty cool to be in Pittsburgh for those four years. I moved into the dorms and had a pretty normal college experience, even though it was in my hometown. I really thrived there. I feel like it really suited me and served me well in terms of how I grew up there.
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I would say auditioning was my real training ground. The technical aspects - like hitting marks and pacing yourself and preparing and dealing with the downtime - the first recurring role I had on 24 was probably the way I learned that stuff.
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I remember our conversations [with Zachary Quinto] always being frustrated that we weren't doing what we wanted to do, but also filled with the determination that we were going to overcome that.
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My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
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I was definitely an extroverted personality at a young age and theater was an outlet for me to channel that energy.
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We [with Neal Dodson and Corey Moosa] were constantly looking for features and looking for ways to get involved with people who were making stuff.
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There was no other concern there was no other focus [in the Governor's School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I'd say that was a big pivotal moment for me.
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I remember Zachary Quinto were just about to go and do So Notorious on VH1, and I was super unemployed, and I think we spent a lot of time talking about how we weren't particularly happy.
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I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.
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