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Part of being a psychopath is an ability to dissociate from one reality and create another one, completely.
Zachary Quinto
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Zachary Quinto
Age: 47
Born: 1977
Born: June 2
Actor
Film Actor
Film Producer
Television Actor
Pittsburg
Pennsylvania
Zachary John Quinto
Reality
Part
Dissociate
Psychopath
Completely
Create
Ability
Another
More quotes by Zachary Quinto
I saw how vulnerable we all are and how exposed we all are and how this is an issue that affects everyone who owns a piece of technology. Which is certainly most people in this country.
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When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
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We're living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
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Gay kids need to stop killing themselves because they are made to feel worthless by cruel and relentless bullying.
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I only auditioned at four schools. I started performing and studying when I was in middle school, and then as I got into high school, it just got more serious. I feel like it became more of a vocation. It became clear to me at that point that I wanted to pursue it.
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What scares me? Oh, now that's a big question. I don't know what scares me - cockroaches, nuclear apocalypse. Fear is an interesting thing. It has a place in all of our lives. I try to be as fearless as possible. I don't always succeed, but I like to think I try.
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I went to high school directly across the street from Carnegie Mellon, actually, and I knew people that were a couple of years older than me that went there. I was able to see shows in the drama department, and hang out there little bit, and it just felt like a natural progression. It was at the top of my list.
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I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, 'Let's talk about something that matters'.
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[Edward Snoden] has said many times that he's willing to come back and face trial if he can be guaranteed a fair trial, but the likelihood of that is so slim.
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The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
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Parents need to teach their children principles of respect and acceptance.
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I was aware of it but I think I was aware of it abstractly, theoretically. You know I understood who Edward Snowden was and what he did but I didn't really see the relevance that it bore in my life and doing film changed that tune pretty quick.
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I remember having to hit a mark and having no idea how to do it, real childlike stuff, because Carnegie Mellon didn't do an extensive job preparing us for film and television. It was very much a theater program. That was my first job. It was cool. I was glad it was.
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In light of Jamey [Rodemeyer]'s death -- it became clear to me in an instant that living a gay life without publicly acknowledging it -- is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.
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There was a little bit of hesitancy about staying in Pittsburgh and not moving away for college, but that didn't last long. It was right in line with what I wanted, so I auditioned there and it wasn't a tough decision.
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I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious].
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Other actors are not my concern, and that's their life and that's their journey. Everybody has to get to a point in their own time and their own way.
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I remember our conversations [with Zachary Quinto] always being frustrated that we weren't doing what we wanted to do, but also filled with the determination that we were going to overcome that.
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It's a very complicated landscape and I don't think there's one easy answer about it [Edard Snowden movie].
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I found myself in a pattern of being attracted to people who were somehow unavailable, and what I realized was that I was protecting myself because I equate the idea of connection and love with trauma and death.
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