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Every time I get on an airplane I have a routine. I cover the inside of my nostrils with anti-bacterial ointment. I'm popping Zicam like it's candy. And I drink, literally, from L.A. to New York, six bottles of water.
Zachary Quinto
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Zachary Quinto
Age: 47
Born: 1977
Born: June 2
Actor
Film Actor
Film Producer
Television Actor
Pittsburg
Pennsylvania
Zachary John Quinto
Six
Popping
York
Candy
Drink
Bottles
Inside
Airplane
Water
Routine
Every
Cover
Bacterial
Time
Literally
Ointment
Like
Anti
Nostrils
More quotes by Zachary Quinto
It's a very complicated landscape and I don't think there's one easy answer about it [Edard Snowden movie].
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People always ask me what I think, if Edward Snoden is a hero, if he's a villain. I don't really tend to moralize it so much as I feel like he's a whistleblower. He's someone who saw a wrongdoing and in order to shine a light on that wrongdoing had to bend some rules and break some laws along the way.
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I found it was remarkable. It was so evocative. I feel like it captured the urgency and the chaos, but through the silence of it, through the slowness of it. That's what I loved the most about Citizenfour.
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I came back and decided that I wanted to go to college for acting and got my family on board. My mom, who was a single mom, was a little reticent, but I think after that summer [in the Governor's School], she saw a shift in me and realized that it was something I wanted more than just a hobby.
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I changed all my passwords. I have no any two passwords that are the same for any service online. I have two-step verification enabled on all my devices...so yeah, I did take some extra steps that I hadn't taken before being exposed to this world.
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The advancement of technology has probably guided us more than anything else in one direction or another. I don't know, it's hard to say. We're so much more connected, but we've never been more fractured as a culture.
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There's nothing so freeing as going to rehearsal and having that experience.
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It just so happened that J.C.[Chandor] was a first-time feature director, and his script was exactly the kind of thing we were looking for.
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It was actually pretty cool to be in Pittsburgh for those four years. I moved into the dorms and had a pretty normal college experience, even though it was in my hometown. I really thrived there. I feel like it really suited me and served me well in terms of how I grew up there.
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I remember our conversations [with Zachary Quinto] always being frustrated that we weren't doing what we wanted to do, but also filled with the determination that we were going to overcome that.
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When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
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But when I found out that Jamey Rodemeyer had made an It Gets Better video only months before taking his own life, I felt indescribable despair.
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I just find that there's something about looking back on interviews, whether for purposes of remembering what I said about something or if it's for posterity when I'm 75.
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My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
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The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.
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I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I'm the best for this job.
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I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.
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I think the goal is always to go deeper within myself, and accept myself on deeper levels and to know myself on deeper levels. Whether or not I look for roles that are going to do that for me, I certainly look for the ways in which the roles I get can do that for me.
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We [with Neal Dodson and Corey Moosa] were constantly looking for features and looking for ways to get involved with people who were making stuff.
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I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious].
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