V-necks are great because you can get a little fat and you still look kind of good - and I like to get fat sometimes, so it's nice. I like to fluctuate between the world of skinny and fat, so V-necks suit me well.

At one point, I was in a place where it didn't feel like it was going to happen and I was feeling pretty down on myself. But I stuck to it, and now I have a hit comedy on my hands. You've got to keep plugging away at it. If you really believe in yourself, you can definitely make it happen.

I've done comedy, and I've done drama. I've sort of been a journeyman in my career so far.

In college, I won the Irene Ryan it's kind of like a collegiate Tony, which got my career going. I was honored. I won a fellowship to the Kennedy Center, and that's where I got my agent.

You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.

I've had friends whose boyfriends I meet, then they break up and I end up staying buddies with the boyfriend. In this day and age with social media and Facebook, Twitter, it's really impossible to escape people that you've been involved with. In a weird way, it makes it easier for everyone to stay friends because you're just sort of stuck there.

I surf - that's the one thing I make time to do. I definitely surf a lot, but when you're working 15 hour days... all I want to do is get home to my baby.

'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.

Film work can be tedious and sort of all over the place, especially when you have a family and you're going off and doing things somewhere else.

I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's like 60 - and it doesn't work.

I can't wait to retire from acting and just sit around and get fat.

Big Bang Theory' is not my kind of show. It's not my humor. I don't like multicam comedies. I don't want an audience to tell me when to laugh.

FlashForward was a really fun show to make. Not to mention, I only worked like, one day a week, and it paid the same as Happy Endings. I got to make out with beautiful women on that show as well.

I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.

FlashForward was a dream come true. I had auditioned for David Goyer for Blade: Trinity and didn't get the part, but I guess he became a fan.

After high school, I went to VCU and got a B.F.A. in theater. I got to do a bunch of stuff professionally throughout college. I actually got my SAG card in college.

I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.