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Nobody really wanted to do that one European tour. For one, it was budgeted to lose money. They would've made something, but I would've lost a lot of money.

Zachary Cole Smith

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Zachary Cole Smith
Age: 40
Born: 1984
Born: November 7
Composer
Guitarist
Model
Singer
Songwriter
New York City
New York
Would
Lose
Loses
Lost
Money
Wanted
Made
Tour
Something
European
Really
Nobody

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I don't think fear necessarily is a core human emotion, but I do think fear of death is something that is at the core of every person's existence.
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I was raised by all women. I had no men in my life it was my mom, my sister, and my grandmother. I've never identified as a man. I've always either felt like a boy or something else. I feel really uncomfortable thinking that, technically, I'm supposed to be a man, because I don't feel like one.
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It's this funny thing now: You sign up to be a musician because you want to write music, but you don't spend your time writing music. Instead, you go around the world selling the music you've already made.
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I wanted to show a different side of ourselves. I wanted to see in what ways I could explore something new. I felt like working on a double record would give people a lot to have.
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It's so easy to hate something. It's harder to genuinely appreciate something.
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It's not like I had a breakdown, though it kind of felt like it at the time. I agreed to everything that happened. You can't really be at work and be like, That's it. I've had too much. I'm going home.
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To be told that you're the voice of your generation is such an incredible amount of pressure, and I haven't faced that. Maybe by the time our third record rolls around, I will. My goals are to be a band like that in five years. At the moment, though, I can't really relate in any sense to the scale that Kurt Cobain fame has reached.
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It's pretty easy to lose money on tour - most bands do on their first couple of tours. We're more established, but I think it was just poorly booked. It was a mess from the get-go.
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I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.
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One of the 12 steps is to admit that you're powerless, but I think that's bullshit. I think it's important to empower yourself by facing the stuff that triggers you.
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I feel like every great record is like a world in itself.
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Three years between records is longer than average. Double albums are much more of a statement. I really wanted to put myself out there as much as I possibly could.
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When I read about myself and how writers have focused on negative stuff, it hurts my feelings.
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I wouldn't say music is my passion, or my calling, or anything like that. I mean, I don't really believe in that kind of stuff. Life is a series of chance happenings, so I just fell into it.
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For me, it's always been important to have the live band be one thing, and the recorded band be kind of another thing.
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Recovery culture teaches you that you have to repent. I don't think that's necessary.
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The touring band is DIIV, and the songs are always written with them in mind. But the new record is going to be more me.
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I had to have the record literally taken away from me. I am such a perfectionist.
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I spent my life working before I started band. I worked construction, landscaping. I worked in kitchens, cleaned dishes. I worked demolition.
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There's positive attention and there's negative attention - negative attention is easy, positive attention requires actual hard work.
Zachary Cole Smith