I remember as a child listening to comedic musicals and thinking they were a real riot. I had pretty questionable taste in comedy.

There's some boring advice for improvisers beginning their careers like see as much of it as you can and do as much of it as you can. Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.

I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.

A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.

I'd like to be able to do complex math in my head. Any kind of adversity and I become very anxious, but if you're a robot, you have good equilibrium. I wish I was cooler under pressure, like a robot.

As I get older, I think I'm more interested in comedy that doesn't take cheap shots. But I watched some of that Justin Bieber roast and I thought it was hilarious.

If I was a part of secret ninja group my power would be the power of apology. I would just apologize emphatically and freely. And my mech might just be a phone to send apologetic emails from.

It's always fun to improvise. What's weird is that when you're recording, you're by yourself, for the most part.

I would rather a sex tape make its way out than a video of me doing all of the different grunt sounds. I'm not eager for a sex tape to leak, but in terms of personal humiliation, I'd feel less vulnerable to be in a Kim Kardashian situation than seeing myself grunting in a booth.

When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.

For the first actual comedy-comedy I did, I took a comedy class in New York, which was full of slightly unhinged people. It was a pretty depressing crowd, very angry and strange people. But then I took a class at the Upright Citizens Brigade and I loved those people.

Steven Spielberg name is synonymous with Hollywood. You sometimes meet people who revel in their own mythology, and he doesn't feel like that, at all. He's very approachable, accessible and sweet. Even if he wasn't, I'd have to say that because the man runs everything.

I don't go to see many comedies anymore, because I guess it feels like another day at the office.

I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that I thought it was interesting. A lot of my favorite comedies play out as dramas.

The days that you record by yourself, you feel like a crazy person because you're saying the same line, 10 different ways, or they ask you for 10 different grunting sounds and you just feel like such a schmuck. It's crazy! When there's other people there, it tethers you to something, in a nice way.

I think I gravitate towards characters who are slight outsiders. It's fun to play a character that wants so badly to be included in the normal activities of teenage life, but lacks the literal hardware to do it.

When I was a kid I wanted to be a musician. I used to play the trumpet. I practiced all the time, but I got braces and I couldn't play it anymore, so I had all of this free time.

I feel all of the archetypes in Silicon Valley probably exist in some other form in other subcultures.