I used to like the word of the day and when I read, highlight words that I didn't know and look them up.

When we have that scene where I shoot that huge machine gun, my first thought was Why does anybody want this? What is the point of something like this? I know some people feel powerful or whatever and I'm just like, I feel like I want nothing to do with this.

I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.

It is exhausting to be running around pretending to be scared at night - It sounds so wussy actory.

James DeMonaco is one of my favorite directors I’ve ever worked with. I think he shoots really well and all that, but the work environment he creates – he makes everyone feel respected, he makes everyone feel appreciated, and he’s a true collaborator.

I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.

I think my strength is always been in being very natural. I think Shakespeare and things like that would be more a stretch for me.

I'm compulsively on time. It drives me insane when people are late.

There’s definitely times when you’re frustrated for whatever reason, but that happens on fifty million dollar movies when you have a huge trailer, so who cares?

I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.