I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.

There’s definitely times when you’re frustrated for whatever reason, but that happens on fifty million dollar movies when you have a huge trailer, so who cares?

James DeMonaco is one of my favorite directors I’ve ever worked with. I think he shoots really well and all that, but the work environment he creates – he makes everyone feel respected, he makes everyone feel appreciated, and he’s a true collaborator.

I think my strength is always been in being very natural. I think Shakespeare and things like that would be more a stretch for me.

When we have that scene where I shoot that huge machine gun, my first thought was Why does anybody want this? What is the point of something like this? I know some people feel powerful or whatever and I'm just like, I feel like I want nothing to do with this.

I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.

I'm compulsively on time. It drives me insane when people are late.

It is exhausting to be running around pretending to be scared at night - It sounds so wussy actory.

I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.

I used to like the word of the day and when I read, highlight words that I didn't know and look them up.